I call it Portraitjournalism ~selected competition images 1
I began helping out fellow photographers by assisting with their equipment and posing as if I were capturing images. The photos I snapped at weddings were not utilized by the photographers, who had me there as a second shooter to give the impression to clients that they were hiring two photographers for their special day, allowing them to charge higher rates. I would only capture around 100 images, while the designated main photographer would snap anywhere from 300 to 400 photos, using medium format and 35mm film cameras.
They would review my shots, discarding most of them due to supposed issues with composition, lighting, exposure, or blur. They would often mention that the clients would not be interested in purchasing them.
It was during this time that Denis Reggie, Gary Fong, and Joe Buissink took the opportunity to educate, especially wedding photographers on the essence of what they refer to as wedding photojournalism.
I began studying my work alongside theirs, as well as examining the works of Gordon Parks, Henri Cartier-Bresson, Richard Avedon, Chris Rainier, and the efforts of Vivian Maier. Despite drawing inspiration from these photographers, my unique style developed naturally and instinctively.
I had been capturing images in a photojournalistic manner long before I even knew there was a term for it. As I worked with other photographers, I quickly noticed that my unique style of photography was standing out among the rest. Even images that appeared abstract or blurry were being selected by the photographers I worked with to showcase to clients. To my surprise, these images were the ones clients were choosing for their enlargements and photo albums. It became clear to me that the genuine interactions between the photographer and the subject were more important than artificial posing. I never believed in trying to mold subjects into robotic models, especially during weddings and events where the subjects are not trained model professionals. It seemed ridiculous to me that some photographers would spend hours trying to force unnatural poses onto their subjects, causing frustration and anger. The modeling industry is known for its fakeness, stress, and unhealthy practices, and I always believed in capturing the natural beauty and authenticity of my subjects.
Photographers who are chosen to exhibit their work can now do so through the fearless platform. This website (https://www.fearlessphotographers.com) showcases talented photographers who showcase their creativity in unique and innovative ways.
When it comes to weddings or Mitzvahs, it’s important to approach the day with a sense of ease and celebration. Our focus, as photographers should be on supporting the couple or honoree in their special event, rather than adding unnecessary stress by imposing our own standards. It's their moment to shine, and we should prioritize capturing genuine, natural moments over forcing them into poses for hours on end. After all, why spend so much time orchestrating artificial shots when we can achieve stunning results by simply letting them be themselves? I find that the beauty and depth of an artistic creation is greatly enhanced when it is a collaborative, spontaneous effort that incorporates elements of natural and organic interaction. This type of artistic expression brings me immense satisfaction and fulfillment. My approach to photography remains consistent with how I began my professional journey behind the lens. However, I have since broadened my scope by continuing embracing a more spontaneous and photojournalistic style in capturing subjects and moments.
